Those of you who visit my blog from time to time will have read that I’m exploring mark making once again, and working on getting back to the confident colors and marks I was producing while studying at TLC. I’ve been concentrating on black, white and red in a variety of media. It feels good to limit my color choices, but expand the tools I have in my hands – oil pastels, water-soluble crayons, acrylics, watercolor, charcoal…
I’ve made some fairly big works and have been playing round with them in Photoshop, seeing what they’d look like cropped down, as thin slivers, as squares etc. What happens when I get right down to the small details so the overall image is lost and only the mark remains? These and many other possibilities! Apart from the learning that comes from that kind of exploration, which is useful in itself, I’m also keeping an eye out for ideas that can translate into greeting cards etc as there are one or two new outlets that have expressed interest in my work.
I’ve also been wandering round the Internet looking at some of my favorite artist’s work, and exploring some new ones too. I always come back to Pollock, Rauschenberg, Rothko, de Kooning and Twombly. I suspect my interest in their work partly stems from the fact that we studied them at TLC so that I got very familiar with their work and feel ‘comfortable’ with it. But it’s more than that too – it’s a deep sense of connection with the way they made marks and with the way in which the hand of the maker could, or couldn’t, be seen in their work. Contemporary artists whose work I follow include Tina Mammoser, Vivien Blackburn, Martha Marshall, and Rebecca Crowell. Although all quite different, I think it is their interest in mark making that keeps me going back to their blogs or websites year after year after year. I have a small collection of small works by Tina Mammoser and Martha Marshall and adore them, and add to the collection when I can. Sure, I love the images they produce, the colors they use, or the way they tell their stories- but underpinning all that is a backbone of mark making.
So, here’s a taste of this week’s art: I hope you enjoy.
Cath I REALLY like these! They have power, and allow the viewer to get lost in them. I really like the depth you have created. Each one could be hiding a multitude of diverse stories. They could be read over and over with a different theme emerging each time.
I am enjoying your blog too. Thanks.
LikeLike
Thanks so much Kay – it feels good to be going back to strong mark making.
LikeLike
Wow!!! These are wonderful images, Cath!
I clicked here after seeing your facebook update, but little did I know that you had mentioned me in your post. I’m honored and delighted. Thank you!
Mark making is the thing that identifies us, just like our handwriting. It’s dependable and real. Kudos!
LikeLike
What a gorgeous piece! It is powerful ans so textured. Love it, love it!
I am going to explore those artists – thanks for the links.
LikeLike
this is wonderful! makes me feel like i am looking out a winter window at a frozen river!
LikeLike
Hi Cath,
I love these mark-making pieces WOW! They should be framed and hung on the wall. Gorgeous!! Also thank you for your (hilarious) comment on my MIND GAMES post. LOL! Those cold and flu drugs are pretty strong-eh!?
LikeLike
Love these! The texture, the color, and the evidence of your hand-at-work.
LikeLike