As I finished each set of Gelli Prints the other I cleaned my plate by covering it in white or off-white paint, laying down my paper and letting it dry. When you pull the dry print, all the old paint comes off. Often these are interesting prints, with little bits of colour and ghostly shadows of what has come before.
These two really appeal to me, with their pale colours and little dabs of paint. Typically, I had used the back of some printing proofs – now I wish I had pulled them on better paper!