The sacrament – and my process

I was away last weekend and didn’t work in my art journals, but did get plenty of art time to work on more Hokitika Gorge paintings. But I miss the freedom that comes with an art journal, where the process matters more than the outcome. I’m not sure I’ve ever documented my process for a layout like this, so will try to capture it.

 
Before I do though, this is another song by HIM, with Ville Valo singing. HIM disbanded a while back and Ville has moved on, but I still love their music. The lyrics, often quite dark, really speak to me. Villa reads a lot, including poetry and classics, and his writing frequently includes references to religion and Edgar Allan Poe’s works.

 
This layout was done in my small Dylusions journal, which means there’s no need to gesso the pages as they’re really strong and colours generally don’t bleed through.

 
Using ink blender foams I put down Dylusions paints in Polished jade, Lemon Zest and Vibrant turquoise. Using the same colours and the ink blenders, I stencilled using Dylusions Teardrops, Squares and Diamond in the Rough – I use each colour, and each stencil, in all three sections.

 
Once that was dry I used Distress Collage Medium to glue down the magazine cut-out, leaving a medium strip of gel medium around it. Next, I blend a shadow in once the gel is dry, using a walnut Pitt Big Brush Pen to outline the collage. The slickness of the gel means you can blend out the pen, which is India Ink, if you work quickly.

 
I write out my words – often song lyrics or my thoughts – and print double spaced. I insert a line at the top of the Word doc so I know how wide each line can be and adjust my font size to fit; for the small journal 10.5cm works well for me. I roughly cut out each line and use a foam blender and Black soot Distress Ink to ink the edges to take away the harshness of the white paper.

 
I put them aside and use Archival ink in black to stamp the title with Dylusions Dy’s alphabet stamp set and Stamper’s Anonymous Tim Holtz Tall Text stamps. While the lettering is drying I use Tombow glue to adhere the text strips; I’m not too fussy about lining them up, spacing etc. Once they’re down and the stamping ink is dry, I use a broad tip white Signo pigment ink pen to add highlights to the stamped letters.

sacrament 20190914

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