It might be masts!

Lately my art has taken a distinct change in direction. I worked my way very quickly through two art journals, using water soluble pencil, paint and collage. At one point I even said to my good friend, and fellow artist, PenKirk https://www.facebook.com/halfpennynz that I needed to “step away from the journal”! I didn’t of course, I just kept creating.

About three quarters of the way through the first journal I realised the shape I was trying to create, over and over, was the island at Waverley Beach. It’s very different today; time, tide and climate change have destroyed most of it.

Dad used to fish off the far side of the island. My friends and I would climb up the side and dive into the waves. Then, dripping wet, we’d clamber back up the papa rock and do it all over again. Looking back, I realise we could easily have been hurt because papa rock gets very slippery when it’s wet. We didn’t get hurt, but we did have a lot of fun.

I’ve been doing a lot more mark making, using water soluble media. There’s a shape that keeps appearing and I’m not sure what it is yet. I seem to be using a lot of blue, deep green and white. I’m starting to wonder if the lines are masts. If it turns out they are masts, I’ve no idea where the imagery is coming from.

At The Learning Connexion I did a lot of mark making, particularly in my 4th year, and still do in my art journals, but over recent years haven’t done as much in art pieces. I’m not sure what’s made the difference, perhaps some of the artists I’ve watched on YouTube including Jackie Schomburg https://www.youtube.com/@jackieschomburgart/about, but I’ve gone full circle and am doing a lot of mark making and drawing.

Where’s all this leading? Goodness knows, but I’m enjoying the process and trust there will be an “aha! So that’s what I’ve been trying to get out of my head “ moment.

This is one of the pieces I did before I got to the final shape of the island at Waverley Beach.

This is an example of where I’ve started with water soluble pencil and a wandering line.

Playing with mark making. The strong vertical line on the right is the start of the more mast-like lines.

This is the very recent piece that has me thinking sea and mast … maybe! If it is, I don’t know where the mast comes from in my memory, but I guarantee it will be a memory.

Practice makes progress

People say practice makes perfect, but wonderful Australian artist Niamh Baly always says practice makes progress. And she’s right!

I joined the gym about 6 weeks. My hope was to improve my balance and strength – having two total knee replacements and various medical dramas over the years has impacted on both.

When I started I could manage 10 minutes on the CrossFit at Level 1 and use 3kg weights for leg and arm exercises. Today I did 17 minutes on the CrossFit at Level 2, 10 minutes on the Exercycle, 4 sets of 10 on the Leg Press and 3 sets of 10 leg exercises with 6 kg weights. I couldn’t find the 5kg ones and the 6kg were just too heavy for my arm exercises.

By most people’s standards that’s not a lot, but it is good progress for me. I’ve got some goals in mind – one of them being just better general capacity. I’m so grateful for the difference my surgeries have made to my life.

Consistency

I’ve been thinking about consistency; consistency in going to the gym and in other personal habits. I’m working in a kraft journal and trying out some ideas. What I’m starting to notice is – despite some new colours / materials and the intention to work differently – there are marks and colour combinations which always come out.

Black, white, blue, green, turquoise, with a touch of hot pink, orange or fluorescent yellow. The colours of the sea, which I have always loved. But also the colours of the Hokitika Gorge, which I love.

Cruciform shapes, ovals that are higher on one side with one end cut off, loose squares or oblongs that connect to a line across or up the page. I know where some of it comes from – the cruciform shapes and squares or oblongs relate to memories of the Patea Cool Stores and Freezing Works. The ovals I have no idea about, but when I get scissors and paper in my hand for collage, there they are!

A shifting vision

I’m working on a new series; the last couple of posts have talked about trying out some different ideas and ways of expressing my ideas. This isn’t a new direction, instead it’s a slight shift in how I put on paper – in paint – the things I don’t have words for. Sometimes that’s emotions, other times it’s my memories of the landscape.

I’ve been working in a kraft journal and on a variety of mixed media papers. My favourite pad of PaintOn mixed media paper has white, cream, black, and a blue grey. I’m using quite a bit of fluro pink from the Golden heavy body range and it’s hard to scan the colour accurately. These works include collage, paint, ink and pencil, so are much more “mixed” than my usual mixed media. I’m ordering more precut mat show kits from the US this week and it’ll be interesting to see how they look with a clean white border.

Loving the details

Today Penny and I spent the day doing demos of gelli printing & collage at Greymouth Art in the Park. I’m enjoying small details, contrast, and mixing textures. I enjoy putting paint on them using blank paper to pull some of the paint back off, exposing the layers underneath. The specks of pink were accidental, and I love them.

The collage piece at the bottom was made by Penny.

The white at the bottom is oil pastel, the white drips are Posca pens that are designed to drip.

Landscape explorations

I’ve been watching various artists on YouTube – some, like Louise Fletcher and Judy Woods, are old favorites. Others are new finds; I’m enjoying the work of Jackie Schomburg – her process is similar enough to mine to be accessible but different enough to provide a challenge.

I normally use heavy white mixed media paper for landscapes so decided to start with different substrates. I’m working in the large Dina Wakley MEdia kraft journal, and on loose sheets of PaintOn mixed media paper which comes in a pad with 5 or 6 different colours. In some cases, I’ve taped the edges so the works will have a clean border.

I’m using a mix of paint and collage & trying to incorporate some of Jackie’s ideas. When you take inspiration from other people’s work the hand of the artist always shows through, so the final works will still be obviously mine.

The works are very much my colour and style at the moment. I can only see the barest hint of Jackie’s influence so far. When I start exploring a new idea my work tends to be tight, and loosens up over time. I’m sure in the coming days her work will influence my process more. In one you can see a deliberate attempt to use different colours.

Time is on my side

To quote the Rolling Stones, time is on my side…

I realised today that I’ve more time for myself than I’ve had in 25+ years. Between 1997 and 2000 we took on publishing the newspaper, Aunt J started needing a lot more of my time (we were close, and I had EPOA) and we moved in with Mum to be her caregivers. I was working full time and studying as well.

Today I didn’t get out of bed until mid morning, and have spent the day playing with paint and paper. Time for my art isn’t unusual because I always make it a priority, but I’m usually conscious of other things I need to do, especially for the paper.

It’s going to be interesting to see what life feels like as I get used to having time for my own priorities and what changes I make.

Life is made up of…

Since I posted in January life has mainly consisted of work and art. I’ve been Acting Group Manager Community Services for the last few months; it’s been interesting, and I’ve learned a lot. It’s also been time consuming – the way I use my time changed a lot. It helped me finally make a decision that’s been on the horizon for some time.

Tony and I took over publishing the Patea & Waverley Press in 1998. We had both worked in the printing industry in Auckland and it suited us. Over time it became more digital, so Tony’s training in Hand Typography wasn’t useful any longer. His health deteriorated and, for the last 4 years or so, the paper has rested solidly on my shoulders. Something I had always loved began to feel like a burden. The paper has a new publisher, and I am enjoying not organising my life around deadlines.

I’ve done a lot of art journaling lately. Some of it is downloading my head onto paper, pouring out the thoughts, and some of it is just about moving my hands – playing with paint, paper and colour. Today I finished a small Dylusions journal which meant decorating the cover before it goes on the bookcase. It’s a mix of paint, ink, magazine collage, Dylusions dycuts and quotes.

It’s an arty sign

About 4 years ago I did a few sessions of counselling to get my head around some stuff. We also worked on me sleeping better, without huge success. We identified three things I wanted to achieve in the counselling; she said 3 is about the max you can do at any one time. One of the words we settled on was content; not content as in “no growth needed” but content to let the process work and accept life as it happens. There were a lot of very good reasons why that was needed.

And, full circle, the same thing applies now. There’s a lot of change happening in my life, and I can’t control much of it. It’s important I feel content with life regardless.

I’m inspired by Claire Stead‘s art and have just got her new release from Funky Fossil through Natalie May Scrapbooking in Australia. I got some clear text stamps and her collage paper. I was working in my 6×6 Dina Wakley kraft journal, one of my favs, this morning and flicked through the collage paper book and there it was — “I am content”. The universe wants me to know it will be ok!

Storing all my paper

I’ve just started the 2023 #100daysofcollage with Froyle Art. Last year I ended up doing 163 collages. This year? Who knows, but I’m excited to get started.

I have a lot of paper, and storing it so it’s manageable & findable is a mission. I have a large drawer of full,page sized gelli prints. I have manila folders of images cut out of old books and magazines, sorted into religious icons, people, architecture and other.

My paper scraps are sorted by colour into plastic envelopes and file boxes. As soon as I cut or tear into a full size gelli print, the remains go into the paper files. The colour sorting is ‘best guess’ based on the main colour of the print. It’s a loose system, but it works well enough for me.

Manila folders of cut out images, maps, book pages etc

Plastic folders with paper sorted by colour

Plastic folders of cut out images